All The Dead Ones

  • Tous les morts (Todos os mortos)
© Courtesy Les Cinémas du monde, Cannes 2014
Genre : Historical
Type : Fiction
Original title :
Principal country concerned : Column : Cinema/tv
Format : Feature
Running time : 90 (in minutes)

"The white and formerly wealthy women of the Soares family are unable to face life without slaves, as the world around them keeps changing."

All the Dead Ones tells the story of the decline of the Soares family in São Paulo at the end of the 19th century. Isabel, the dying mother, lives with her daughters Maria, a nun, and Ana, a silent and unstable young woman. As their father is away, they try to forget about their past as owners of a coffee farm surrounded by black slaves, while coming to terms with Brazil's rapid industrialization.
Brazil, Feature narrative

Directors : Caetano Gotardo and Marco Dutra
Produced by : Sara Silveira / Dezenove Som e Imagens (Brazil)
Fiction / 90 minutes / Colour / 35mm
Language : Portuguese
2nd feature film

PRODUCER
Sara Silveira
(Dezenove Som e Imagens)

Contact
Dezenove Som e Imagens
Sara Silveira
sara@dezenove.net / dezenove@uol.com.br


Current status : In development (historical research and first draft of the script)
Budget : €1,252,446
Financing in place : €21,940 (financing for script development from the São Paulo Culture Office)
Seeking partners : France, Germany, the Netherlands and India



2014 | 67th Cannes Film Festival, France
* Selection - FABRIQUE DES CINÉMAS DU MONDE 2014
www.lescinemasdumonde.com/nouv/?p=5658&lang=en

Organizations

1 files

Partners

  • Arterial network
  • Media, Sports and Entertainment Group (MSE)
  • Gens de la Caraïbe
  • Groupe 30 Afrique
  • Alliance Française VANUATU
  • PACIFIC ARTS ALLIANCE
  • FURTHER ARTS
  • Zimbabwe : Culture Fund Of Zimbabwe Trust
  • RDC : Groupe TACCEMS
  • Rwanda : Positive Production
  • Togo : Kadam Kadam
  • Niger : ONG Culture Art Humanité
  • Collectif 2004 Images
  • Africultures Burkina-Faso
  • Bénincultures / Editions Plurielles
  • Africiné
  • Afrilivres

With the support of